〜 Jurassic

Daohugou, ~165 Ma — a forest you can walk around in, in the dark, by ear ↩ mino.mobi

Nine ensiferans sang in this forest, and we know roughly what each of them sounded like. Five called in low pure tones below 7 kHz; three sang above 10 kHz; and one — Sigmaboilus peregrinus — sang at 22.5 kHz, above the top of human hearing. That is the oldest ultrasonic communication known from any animal, about a hundred and ten million years before the first bat. Press play and walk about. Every call here is synthesised from its own instrument — the tooth-by-tooth spacing of that species' fossilised file, driving a wing resonator at its published sharpness — and then thrown across the air by ISO 9613, with the distance, the weather and the leaves all taken off it.

off — ultrasound is being rendered at its true pitch, where you almost certainly cannot hear it

loading the engine…

The plot

Click or drag the forest to walk there · WASD / arrows to step (hold shift to stride) · click a dot to select that species.

The gap this closes

Triassic Jurassic Cretaceous Cenozoic Daohugou · 165 Ma · ultrasound Sigmaboilus peregrinus sings at 22.5 kHz first bats · ~55 Ma 110 Myr later 250 Ma today

Katydid ultrasound has usually been explained as an answer to bats. These fossils are a hundred and ten million years too early for that, and Gu et al. say so plainly: they reject the hypothesis that bats were the sole driver of ultrasound evolution in katydids, and propose instead that early mammals and non-mammalian ancestors were already listening in. Bats, in their phrase, emerged into a soundscape already busy with ultrasounds.

That is why the who is listening control matters more than it looks. Switch between an early mammal and an archosaur and watch the ultrasonic circle swell and vanish: against one ear the pitch bought no privacy at all, against the other it bought a private channel. The fossils do not settle it. The physics only tells you what each answer costs — and the Q panel shows the other half of the same defence, the one that does not depend on pitch at all.